There’s a germ of a good idea here. A show following a band of misfits around the edges of the Star Trek universe while they get into and out of trouble could be fun. Several of the characters like Zeph and Fuzz have interesting concepts which we haven’t seen yet in Star Trek.
The bad however out weighs the good. One, it makes no sense for a super-secret spy agency to employ this bunch of marginally competent weirdos and it really doesn’t sell why a team of by the book Starfleet Intelligence officers couldn’t have handled this problem by the end of the opening credits.
Two, a history as a genocidal space dictator isn’t just a quirky character trait. The movie sometimes wants to deal with that seriously and other times treats it as a joke. I don’t know if there is a right way to deal with it, but this movie definitely isn’t it.
Three, this movie definitely inherits many of Discovery’s worst traits of frenetic camera work and inability to slow down long enough for us to get to know the characters.
Well said. Especially agree on point one. I’m not a fan of the Discovery era characterization of Section 31, but ultimately there was no reason they had to be related to this movie at all. Georgiou had plenty of personal reasons to deal with this and to have a collection of ne’er-do-wells on hand without any involvement from Starfleet / S31.
There’s a germ of a good idea here. A show following a band of misfits around the edges of the Star Trek universe while they get into and out of trouble could be fun. Several of the characters like Zeph and Fuzz have interesting concepts which we haven’t seen yet in Star Trek.
The bad however out weighs the good. One, it makes no sense for a super-secret spy agency to employ this bunch of marginally competent weirdos and it really doesn’t sell why a team of by the book Starfleet Intelligence officers couldn’t have handled this problem by the end of the opening credits.
Two, a history as a genocidal space dictator isn’t just a quirky character trait. The movie sometimes wants to deal with that seriously and other times treats it as a joke. I don’t know if there is a right way to deal with it, but this movie definitely isn’t it.
Three, this movie definitely inherits many of Discovery’s worst traits of frenetic camera work and inability to slow down long enough for us to get to know the characters.
Well said. Especially agree on point one. I’m not a fan of the Discovery era characterization of Section 31, but ultimately there was no reason they had to be related to this movie at all. Georgiou had plenty of personal reasons to deal with this and to have a collection of ne’er-do-wells on hand without any involvement from Starfleet / S31.