Define “actual music”. Does it become real music when it’s part of a movie sound track? Or when it’s played on pop radio stations? When it gets performed by middle schoolers in band classes? When the London Philharmonic performs it? When it reaches Billboard 100? When the artist wins a grammy? Do you need to be in ASCAP to make music? I’m a little confused as to what would differentiate music made for digital entertainment from any other music.
They get paid for their work, obviously, but often a significant portion of their ongoing pay is based on soundtrack sales, whether physical or digital.
I would consider selling something like a soundtrack acceptable but no game content dlc, absolutely.
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OST in a straight audio format has never been part of buying the game unless you ripped the files yourself. Be more entitled.
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I don’t pay for it, my man. If anyone making video game music was talented they’d be making actual music.
Define “actual music”. Does it become real music when it’s part of a movie sound track? Or when it’s played on pop radio stations? When it gets performed by middle schoolers in band classes? When the London Philharmonic performs it? When it reaches Billboard 100? When the artist wins a grammy? Do you need to be in ASCAP to make music? I’m a little confused as to what would differentiate music made for digital entertainment from any other music.
dang, honestly one of the worst takes I’ve seen this year
Right? There are so many OST for games that are absolutely amazing. It’s “real” music whatever that was supposed to mean.
exactly. The first thing that came to my mind was Hollow Knight OST, if it’s not “real” then I guess I must’ve imagined how much it slaps
You’re just dead wrong for that. You can’t be serious?
You don’t know shit about how remuneration for composers works, huh.
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🤡
I’m not a programmer or a gamer (or a musician), just curious. What does make it different?
They get paid for their work, obviously, but often a significant portion of their ongoing pay is based on soundtrack sales, whether physical or digital.
For one example, you can look into how Id screwed over Mick Gordon with the doom eternal OST, but it’s a long and frustrating read.