Game studio executives love AI slop — because they despise paying artists and writers. The execs hire art directors who also love AI slop: [Aftermath] He’ll just keep prompting an AI for imag…
Valhalla and Shadows are two of the best-selling Assassin’s games even though they’ve been exactly equally as shit and tedious since Origin, so I’d put a [citation needed] on your “increasing irrelevancy”.
Also which big game studios don’t suck? The list you give below has, the top 10 largest in order,
Sony (I guess defensible, idk),
Tencent (lol), Microsoft (lmao)
Nintendo (legal almost as predatory as Oracle)
NetEase (???)
EA, Epic, Take-Two (sincerely wishing prostate cancer to all three of those CEOs)
their two highest profile failures as of now are Concord, a live service Overwatch clone that was shut down two weeks after launch, and Marathon, an upcoming (or possibly cancelled) Bungie live service Escape from Tarkov clone that doesn’t play well, isn’t anything like the original Marathon games, and infamously has already had several credible accusations of art plagiarism leveled against it. for the latter, I suspect we’ll see a second controversy surface over generative assets; the art that wasn’t plagiarized was starkly ugly and weirdly generic, and I don’t buy that it was that way stylistically.
that shit like this is a normal part of doing business points at a gaming industry that’s rotting at the head, because as unpopular as live service games are, corporations like EA proved they can be very profitable if you tweak the right dopamine receptors to hook enough whales. it’d be nice if EA and Ubisoft were irrelevant now, but unfortunately the industry is still exactly the same exploitative piece of shit they helped make it into. myself and anyone who gives a fuck about quality can keep playing indie games all we want, but these corporations don’t care — they know that a mediocre live service with gambling mechanics will make many times more profit than any indie hit, so they target mediocrity. sometimes they miss and hit rock bottom instead, but who cares? the executives responsible will decimate the studio that developed the game with layoffs or eliminate it entirely, and because capitalism is a death cult that’ll be seen as a win.
My entire experience with Sony is that I loved Patapon on the PSP (I would sell my fucking soul to get it to play on a smartphone god) and I watch The Last of Us and that’s it. None of their games exist as far as I’m concerned because I can’t play them on PC. What, I’m going to play TLoU 2 without playing 1 or GoW 4 without playing 1-3? Go fuck yourselves.
What, I’m going to play TLoU 2 without playing 1 or GoW 4 without playing 1-3?
Part I and Part II are both on Steam, so you can get the full Last of Us experience without a console, and GoW 2018 is a soft reboot, so playing the original trilogy isn’t strictly necessary.
As for GOW 1-3…there’s no PC port, so you’ve got two options: sail the high seas and emulate them via PCSX2 and/or RPCS3, or get the games and a used PS3 off of eBay.
And, given I’ve already mentioned emulation:
My entire experience with Sony is that I loved Patapon on the PSP (I would sell my fucking soul to get it to play on a smartphone god)
If you’re looking for Patapon on your phone, the only course I know of is to grab PSP emulator PPSSPP and find the ISOs online. If you’re fine playing them on your PC, a remaster of the first two games is coming to Steam on June 10th.
pretty much same! I’ve heard good things about some of the games published under Sony, and their umbrella as a publisher still includes excellent studios whose previous games I have very good memories of. but… I just can’t swing the price for a PS5, it really doesn’t feel worth it just for a few games, and I’m not a huge fan of the hardware design. they also seem to have fumbled PSVR2, and I was a big fan of the indie VR scene and how accessible it was on the PSVR1. on top of everything else, I feel like I’ve gotten by far more mileage out of open platforms than I have from any modern console — so for me, just like you, most Sony releases are invisible unless they’re the ones that bomb
Valhalla and Shadows are two of the best-selling Assassin’s games even though they’ve been exactly equally as shit and tedious since Origin, so I’d put a [citation needed] on your “increasing irrelevancy”.
Also which big game studios don’t suck? The list you give below has, the top 10 largest in order,
their two highest profile failures as of now are Concord, a live service Overwatch clone that was shut down two weeks after launch, and Marathon, an upcoming (or possibly cancelled) Bungie live service Escape from Tarkov clone that doesn’t play well, isn’t anything like the original Marathon games, and infamously has already had several credible accusations of art plagiarism leveled against it. for the latter, I suspect we’ll see a second controversy surface over generative assets; the art that wasn’t plagiarized was starkly ugly and weirdly generic, and I don’t buy that it was that way stylistically.
that shit like this is a normal part of doing business points at a gaming industry that’s rotting at the head, because as unpopular as live service games are, corporations like EA proved they can be very profitable if you tweak the right dopamine receptors to hook enough whales. it’d be nice if EA and Ubisoft were irrelevant now, but unfortunately the industry is still exactly the same exploitative piece of shit they helped make it into. myself and anyone who gives a fuck about quality can keep playing indie games all we want, but these corporations don’t care — they know that a mediocre live service with gambling mechanics will make many times more profit than any indie hit, so they target mediocrity. sometimes they miss and hit rock bottom instead, but who cares? the executives responsible will decimate the studio that developed the game with layoffs or eliminate it entirely, and because capitalism is a death cult that’ll be seen as a win.
My entire experience with Sony is that I loved Patapon on the PSP (I would sell my fucking soul to get it to play on a smartphone god) and I watch The Last of Us and that’s it. None of their games exist as far as I’m concerned because I can’t play them on PC. What, I’m going to play TLoU 2 without playing 1 or GoW 4 without playing 1-3? Go fuck yourselves.
Part I and Part II are both on Steam, so you can get the full Last of Us experience without a console, and GoW 2018 is a soft reboot, so playing the original trilogy isn’t strictly necessary.
As for GOW 1-3…there’s no PC port, so you’ve got two options: sail the high seas and emulate them via PCSX2 and/or RPCS3, or get the games and a used PS3 off of eBay.
And, given I’ve already mentioned emulation:
If you’re looking for Patapon on your phone, the only course I know of is to grab PSP emulator PPSSPP and find the ISOs online. If you’re fine playing them on your PC, a remaster of the first two games is coming to Steam on June 10th.
(I am deep in the weeds on this shit, I’ll admit)
Oh my god this is the best news I’ve heard this year
pretty much same! I’ve heard good things about some of the games published under Sony, and their umbrella as a publisher still includes excellent studios whose previous games I have very good memories of. but… I just can’t swing the price for a PS5, it really doesn’t feel worth it just for a few games, and I’m not a huge fan of the hardware design. they also seem to have fumbled PSVR2, and I was a big fan of the indie VR scene and how accessible it was on the PSVR1. on top of everything else, I feel like I’ve gotten by far more mileage out of open platforms than I have from any modern console — so for me, just like you, most Sony releases are invisible unless they’re the ones that bomb